International Journal of Art and Design https://journal.uitm.edu.my/ojs/index.php/IJAD <p>The International Journal of Art and Design (IJAD) <a href="https://drive.google.com/file/d/1ao5C6ULPIhBXm_t9zvNhayxhHve7jN7a/view?usp=drive_link">(e-ISSN: 2710-5776)</a> is a peer-reviewed journal committed to advancing scholarship in the domains of Creative Arts, Visual Communication, Design Technology, and Humanities. With biannual publication cycles (January - June &amp; July - December), IJAD provides a platform for the dissemination of high-quality research articles that explore both theoretical advancements and practical applications within the realm of art and design.</p> <p>IJAD serves as a nexus for researchers, fostering collaboration and knowledge exchange across diverse disciplinary boundaries. We welcome original research papers and state-of-the-art reviews that contribute to the evolving discourse in art and design.</p> <p>Furthermore, IJAD endeavors to promote a culture of scholarly writing and publication among academics, both within and beyond the Universiti Teknologi MARA community. By encouraging active engagement with the research process, we seek to elevate the visibility and impact of scholarly work in the field.</p> <p>Indexed in <strong>MYCITE</strong>, <strong>MYJURNAL</strong>, and <strong>GOOGL</strong>E <strong>SCHOLAR,</strong> IJAD ensures global visibility and accessibility for published content, facilitating wider dissemination and engagement with the latest developments in art and design research.</p> en-US Tue, 12 Mar 2024 00:00:00 +0100 OJS 3.3.0.5 http://blogs.law.harvard.edu/tech/rss 60 The Influences of Contemporary Fashion to the Development of Men’s Baju Melayu in Malaysia https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1027 <p><span style="font-weight: 400;">This study aims to analyse contemporary fashion influences that occurred in Malay men's </span><em><span style="font-weight: 400;">Baju Melayu</span></em><span style="font-weight: 400;">. Observations of modern contemporary </span><em><span style="font-weight: 400;">Baju Melayu</span></em><span style="font-weight: 400;"> visual images from local designers were performed to identify the development of form, silhouette, colour, styling, and accessories. Analysis showed that the Malay men's </span><em><span style="font-weight: 400;">Baju Melayu</span></em><span style="font-weight: 400;"> faces many changes in forms, silhouettes, colours, styles, and accessories in line with technological evolution, fashion openness, and the new lifestyle of the Malay men in Malaysia. The study hopes that local designers' new contemporary </span><em><span style="font-weight: 400;">c</span></em><span style="font-weight: 400;"> approaches can still portray Malay identity and sustain it over time. </span></p> Muhammad Hisyam Zakaria*, Asliza Aris, Wan Nadhra Ixora Wan Kamarulbaharin, Nasaie Zainuddin Copyright (c) 2024 International Journal of Art and Design https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1027 Fri, 08 Mar 2024 00:00:00 +0100 Exploration and Research on the Product Design Method of YangJiaBu New Year Woodcut Prints from the Perspective of Social Innovation https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1029 <p style="text-align: justify;"><span style="font-weight: 400;">This theme comes from YangJiaBu new year woodcut prints, one of China's intangible cultural heritages. Currently, cultural innovation is attracting attention in the development of the global cultural industry and also occupies an important position in China's cultural strategy, bringing new opportunities for the revival of traditional culture. However, this folk culture is facing complex status and development problems, and its development needs to be actively promoted by all forces. This study aims to better promote the cultural innovation of YangJiaBu new year woodcut prints and explore the design method and process of integrating it into daily use innovation. The research adopts fieldwork, interviews, literature research and case study methods, and thematic analyses. In conclusion, these studies will help to identify key themes from current cultural developments, sort out design methods and processes, and provide insights that will make the daily-use innovation of YangJiaBu new year woodcut prints more product-identifiable and innovative, add sources of inspiration for modern design and social innovation, and continue to maintain an important position and influence in the future for the inheritance and development of China's traditional culture.</span></p> Yuzhu Zhang, S'harin Mokhtar*, Natrina Mariane P.Toyong Copyright (c) 2024 International Journal of Art and Design https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1029 Fri, 08 Mar 2024 00:00:00 +0100 Characteristics of Recycled Plaster of Paris At Several Different Temperatures Between 150℃ - 190℃ During Recycling Process https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1030 <p><span style="font-weight: 400;">A significant amount of solid waste is dumped by the ceramics sector, which is a worry for the environment. As well known, Kuala Kangsar, Perak, Malaysia is the location to a large ceramics industry. In Malaysia, there are landfills, but not all of them can manage solid waste perfectly. As a result, many waste disposal contractors look down on solid waste management such as for Plaster of Paris (POP). This is even more complicated when there are a handful of them who take the easy way out by disposing of POP waste by planting or dumping it into rivers and seas. This causes various problems to the environment and health. The aim of this study is to identify how to recycle waste mould into new plaster without affecting their casting performance. This paper shows the study of the effect of characteristics Recycle Plaster of Paris (RPOP) compared to New Plaster of Paris (NPOP). Drying temperatures are performed at (150℃,160℃,170℃,180℃ and 190℃) for RPOP and use the same 60% of material and 40% of water ratio and tests for porosity, absorption, setting times and particle size are performed. The results indicate that all samples of Recycled Plaster of Paris performed well and can function similarly to New Plaster of Paris at different temperatures.</span></p> Ainun Fathiah Hamdan*, Oskar Hasdinor Hassan, Nor Nazida Awang Copyright (c) 2024 International Journal of Art and Design https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1030 Fri, 08 Mar 2024 00:00:00 +0100 Comparison of Plant Application and Design of Chinese and Western Healing Gardens https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1031 <p style="text-align: justify;"><span style="font-weight: 400;">Using plants in therapeutic gardens has become an essential element in healthcare environments. In the future, as research and practice delve more profoundly, the application of plants in therapeutic gardens will continue to evolve. Scientific foundational research will explore the deeper connections between plants and human health, providing a more significant basis for plant selection and combinations. Cross-cultural collaboration will enrich the diversity of plants, benefiting users from various regions. Involvement will drive the collaborative design of plant landscapes to better meet user needs and create more personalised therapeutic gardens. Objective: As therapeutic gardens are outdoor garden spaces primarily catering to users' psychological health and therapeutic needs, this study compares the application and design of plants in therapeutic gardens in both Western and Eastern countries. We aim to review the literature on this topic, categorise and compare plant design elements in therapeutic gardens from both regions and provide plant design guidelines for medicinal gardens.&nbsp; Methods: A comprehensive review of literature and case studies related to this topic.&nbsp; Conclusion: From a comparative perspective between Western and Eastern approaches, it is concluded that plant design in therapeutic gardens should incorporate both strengths to enhance the therapeutic environment in these gardens. Our design guidelines provide essential components for landscape designers to effectively integrate plant design when creating therapeutic gardens. </span></p> XiaoXin Huang , Nurhayati Abdul Malek*, YaoDong Ma Copyright (c) 2024 International Journal of Art and Design https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1031 Fri, 08 Mar 2024 00:00:00 +0100 Exploring the Purpose and Types of Home Glass Accessories: Sustainability, Transparency, Aesthetics, and Durability https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1033 <p><span style="font-weight: 400;">Glass is omnipresent in applications from packaging to prosthetics, and building to telecommunications, resulting in significant glass waste. This study examines the purpose and various types of home glass accessories and aims to minimize waste through recycling and the development of sustainable products that meet market demands. The research employed interviews with glass designers and a systematic literature review as the primary exploration techniques. The findings provide valuable insights into the sustainability, transparency, aesthetics, and durability of home glass accessories. The literature review revealed that glass is extensively used due to its transparency, chemical inertness, environmental friendliness, availability, and affordability. Glass recycling offers benefits such as conserving natural resources, reducing waste, saving energy, and decreasing air and water pollution. However, certain glass products have a limited lifespan, contributing to waste generation. The interviews revealed that people choose glass products for their transparency, chemical stability, decorative appeal, ease of cleaning, and sustainability. Kitchenware, bottles, containers, lighting units, vases, antiques, and serving ware were identified as common types of home glass accessories. Lighting lamps and vases were found to be the most popular functions.</span></p> Radwa Bahaa Elsayed*, Hema Zulaika Hashim, Mohd Shahril Rusman Copyright (c) 2024 International Journal of Art and Design https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1033 Fri, 08 Mar 2024 00:00:00 +0100 The Application and Concept of the Theory of Five Colour in Ancient Chinese Urban Architecture https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1034 <p>&nbsp;</p> <p style="text-align: justify;"><span style="font-weight: 400;">This study explores the application and concept of the Theory of Five colours in ancient Chinese urban architectural design. Nowadays, urban colour has emerged as a crucial aspect of urban planning, carrying significant historical, cultural, and aesthetic information in the evolution of cities. Colour plays a symbolic role in expressing the character and quality of cities, with its impact evident in various aspects of human habitation and daily life. The conceptual analysis via on-site observation and secondary data delves into the historical shifts in architectural colour schemes for various periods, including the Warring States, the Qin Dynasty, the Han Dynasty, the Wei-Jin Northern and Southern Dynasties, and the Tang, Song, Ming, and Qing Dynasties. Through an analysis of the evolution of architectural colour across different historical eras, the finding reveals that the use of colour in ancient Chinese urban architecture was rooted in the traditional Theory of Five colours. Notably, red and yellow predominantly adorned noble, imperial, and religious structures, underscoring their esteemed and sacred significance. Conversely, colours like black, white, and green were prevalent in civilian constructions, emphasising the vibrancy and diversity of primary buildings through extensive use of neutral colours. This practice of colour differentiation contributed to distinctive regional variations within cities, reflecting a hierarchical architectural concept. However, with the passage of time and the disappearance of the hierarchical system, the application of colour in urban architecture became more flexible. Modern urban architecture, based on the foundation of ancient urban colour, exhibits diverse expressions according to factors such as cultural history, geographical location, and urban characteristics. As a result, the architectural landscapes of different cities display rich and varied colour palettes. These research findings will contribute as a significant reference value for the cultural connotations of ancient urban architecture and the colour design of modern urban spaces in China. </span></p> YaoDong Ma, Alamah Misni* Copyright (c) 2024 International Journal of Art and Design https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1034 Fri, 08 Mar 2024 00:00:00 +0100 Application Of Natural Fibre Composites In Product Design: A Guiding Framework https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1035 <p><span style="font-weight: 400;">The global production of petroleum-based plastics has grown significantly from 1.5 million tonnes in 1950 to 367 million tonnes in 2020, escalating global demand based on the limitations of conventional material resources. The effective use of natural fibre composites can alleviate modern civilisation's reliance on chemical resources, reduce energy shortages and have a positive impact on agricultural development. The objective of this study is to establish a framework for guiding design practice by sorting out the properties and application areas of natural fibre composites from a designer's perspective, and the ways in which the material can be experienced. It also uses coconut fibre as an example to develop design research and promote social innovation. The data is analysed and summarised through theoretical frameworks, qualitative interviews, observations and thematic analysis. Facing new materials outside the education system, it helps design-related staff to find areas of application where material properties are consistent with product properties, consumer needs and environmentally beneficial in the design practice process.</span></p> Zhang Xue, Hanif Khairi* Copyright (c) 2024 International Journal of Art and Design https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1035 Sat, 09 Mar 2024 00:00:00 +0100 Exploration of Fine Art Photography as a Medium for Self-Expression https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1037 <p><span style="font-weight: 400;">The purpose of this study is to investigate the ethics of fine art photography through the lens of self-expression. Specifically, the study focuses on privacy, permission, and the creative utilisation of human experiences. My ability to express myself through photography could be beneficial. Using both observation and case studies, we investigate how the influence of fine art photography on self-expression arises. People are able to visually represent their thoughts, feelings, and experiences through the medium of fine art photography, which also alters their self-expression and contributes to the process of self-discovery. Through the use of high art photography, this research evokes feelings and recollections. The composition, lighting, subject matter, and post-processing techniques all contribute to the creation of well-considered photos. Within the realm of fine art photography, this study promotes the exploration of self-expression through the creation of photographs that generate feelings, conversations, and identities.</span></p> Andrialis Abdul Rahman, Nur Nafishah Azmi* Copyright (c) 2024 International Journal of Art and Design https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1037 Fri, 08 Mar 2024 00:00:00 +0100 Minimalistic Compositional Techniques: ‘Glass’ By Hania Rani https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1038 <p><span style="font-weight: 400;">The purpose of this paper is to investigate the minimalist techniques used in minimalist compositions and to identify the minimalist technique characteristics that cause listeners to perceive the music as minimalist music. This paper also provides information to other composers who require time to learn and familiarise themselves with minimalist techniques. This research seeks to identify the various minimalistic approaches and investigate the melodic progression of "Glass" by Hania Rani, a Polish composer and pianist, and how it has been creatively employed in her composition. The findings from this research will tremendously assist composers and pianists in getting a deeper knowledge of theory and minimalist concepts or procedures. Moreover, the piece 'glass' by Hani Rani is not widely known, and this investigation indirectly introduced the reader to contemporary minimalist composition.</span></p> Zurfahani Batrisya Zaidi Shamsul, Raja Mohamad Alif Raja Mohamad Adnan*, Mohd Yusri Hamid Copyright (c) 2024 International Journal of Art and Design https://journal.uitm.edu.my/ojs/index.php/IJAD/article/view/1038 Fri, 08 Mar 2024 00:00:00 +0100