INNOVATIVE DESIGN OF DUN HUANG CAISSON LOTUS PATTERN IN SUI DYNASTY
DOI:
https://doi.org/10.24191/VoA.v20i2.11862Keywords:
Caisson lotus pattern, Creative product, Tea set, Product design, China cultural heritageAbstract
This paper proposes a method for designing culture-creative products of the caisson Lotus pattern to better inherit the art of Dunhuang and meet contemporary aesthetic requirements. Initially, researcher analyzes the caisson Lotus patterns of Dunhuang in the Sui Dynasty. Then, a practical case study of the Lotus pattern is designed based on four stages of design practice, namely: association, concretization, transformation, and implementation. Literature reviews and case studies are the main research methods used in this paper. The literature review was used to summarize Lotus pattern types and characteristics. In the case study a series of workshops was conducted to implement cultural and creative product design. Research diaries, text analysis, observations, interviews and other data collection methods are used in the data collection process. This study shows that the Lotus pattern from the Sui dynasty is the most representative pattern. The design products created using the Lotus element are cultural, functional, and aesthetic and meet people's needs. It provides a feasible solution to the innovative pattern design problem.
References
Chen, D., Cheng, P., Simatrang, S., Joneurairatana, E., & Sirivesmas, V. (n.d.). Innovative Design Of Caisson Lotus Pattern In Dunhuang.
Cao, Y., Wang, J., & Peng, H. (2015). Dunhuang Caisson Patterns in Fashion Design. Proceedings of the 2015 International Conference on Social Science, Education Management and Sports Education., Beijing, China. https://doi.org/10.2991/ssemse-15.2015.446
Fu, X. Y., Ma, X. J. and Sun, Z. J. (2019). Digital restoration of damaged murals: based on Dunhuang murals. Decoration 62(1): 21-27. [In Chinese]
Hsu, C.-H., Lin, C.-L., & Lin, R. (2011). A Study of Framework and Process Development for Cultural Product Design. In P. L. P. Rau (Ed.), Internationalization, Design and Global Development (Vol. 6775, pp. 55–64). Springer Berlin Heidelberg. https://doi.org/10.1007/978-3-642-21660-2_7
Ji, X. L. (1998). Dunhuang academic dictionary. Shanghai: Shanghai Dictionary Publishing House.
Lee, J. H., Park, H. J., Lim, S. W. and Kim, S. J. (2013). A formal approach to the study of the evolution and commonality of patterns. Environment and Planning B: Urban Analytics and City Science 40(1): 23-42.
Liu, J., & Yu, J. (2020). The Application of Time, Location and Narrative Elements in Information Graphic Design—Taking the Information Sorting on the Development Process of the Honeysuckle Pattern as an Example. IOP Conference Series: Materials Science and Engineering, 768(5), 052039. https://doi.org/10.1088/1757-899X/768/5/052039
Muhamad, N. A., Tahir, A., Ramli, I., & Desa, N. E. (2023). The Visual Representation of Malaysian Cultural Identity in 1950s Printmaking Artworks. 8(1).
Nasir, R. M. N., & Daimin, G. (2022). Digital Illustration as Visual Communication to Promote Kelantan Cultural Heritage. Idealogy Journal, 7(2), Article 2. https://doi.org/10.24191/idealogy.v7i2.355
Qiu, L. (2020). Design of Cultural and Creative Products of Marine Cultural Tourism. Journal of Coastal Research, 112(sp1). https://doi.org/10.2112/JCR-SI112-029.1
(Qiu, 2020)A Study on Consumers’ Preferences for the Palace Museum’s Cultural and Creative Products from the Perspective of Cultural Sustainability. (n.d.). Retrieved June 8, 2023, from https://sci.bban.top/pdf/10.3390/su11133502.pdf#view=FitH
Rau, P.-L. P. (Ed.). (2018). Cross-Cultural Design. Applications in Cultural Heritage, Creativity and Social Development: 10th International Conference, CCD 2018, Held as Part of HCI International 2018, Las Vegas, NV, USA, July 15-20, 2018, Proceedings, Part II (Vol. 10912). Springer International Publishing. https://doi.org/10.1007/978-3-319-92252-2
Tan, S.-K., Lim, H.-H., Tan, S.-H., & Kok, Y.-S. (2020). A Cultural Creativity Framework for the Sustainability of Intangible Cultural Heritage. Journal of Hospitality & Tourism Research, 44(3), 439–471. https://doi.org/10.1177/1096348019886929
Yu, C. (n.d.). Developing a Design Process Model for Cultural Creative Product: Case Study of a Table Lamp.
Yusoff, N. (2019). Cultural heritage, Emotion, Acculturation, Ethnic minority, Valence. Journal of Ethnic and Cultural Studies, 6(3), 53–63. https://doi.org/10.29333/ejecs/259
Yasin, S. M. A., Haron, H., Ramli, Z., Tular, S., & Raffie, H. M. (2021). Translating Traditional Malay Pottery Motifs To Inspire Ceramic Surface Decoration Design. Idealogy Journal, 6(2), Article 2. https://doi.org/10.24191/idealogy.v6i2.289
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
