Food and Photography: Phenomenological Study of Women Photographer Community in Indonesia
DOI:
https://doi.org/10.24191/ijad.v9i1.4259Keywords:
Community, Food Photography, Instagram, Phenomenology, WomenAbstract
This study explores the intersection of food and photography within the community of women photographers in Indonesia through a phenomenological approach. By delving into the lived experiences of these women, the research aims to understand how they capture and portray food, not just as a subject but as a cultural and artistic expression. The integration of food and photography has seen a significant rise, particularly among women in Indonesia. This study investigates the phenomenological experiences of women photographers within the KJ community, a group known for its vibrant food photography on Instagram. By employing participatory observations, in-depth interviews and thematic analysis, the research explores the daily experience, motivations, and aesthetic choices of food photography among these women and their work. The findings reveal that food photography serves multiple purposes, including promoting self-fulfilment, providing income prospects, and facilitating social connections. The informants place great importance on the visual appeal of their creations, focusing on aesthetic factors such as colour and composition. By focusing on the phenomenological aspects, the research also illuminates on how personal and collective experiences influence their photographic practices, providing a comprehensive understanding of the impact of gender on food photography in Indonesia. Furthermore, the study emphasizes the influence of digital platforms on the formation of food culture and the social elements of food photography. In addition to reflecting the individual personalities of the participants, the phenomenon of food photography questions conventional gender norms and illustrates the dynamic interaction in the virtual community and gender in modern Indonesian culture.
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