Cinemagoing Culture through The Malaysian Settings of The Cinema One Stop Centre

Authors

  • Muhammad Danish Nazri
  • Nur Liana Redzuan Roy

DOI:

https://doi.org/10.24191/jca.v1i2.1586

Abstract

Malaysian cinema-going culture has undergone significant changes with the emergence of the One Stop Centre (OSC) concept. This study argues that the One Stop Centre concept, which is used practically everywhere in Klang Valley, keeps Malaysia's cinemagoing culture strong in the modern era. It also argues that this is because people's tastes in movies vary depending on whether they watch them in person or on the internet. Additionally, the flexibility and freedom of choosing where to watch a movie at a One Stop Centre also impact an individual's enjoyment of movies. This study seeks to identify the concept of the One Stop Centre and analyse what has made it popular and still relevant today. This research will use qualitative research as the primary method to collect data and observations on the findings. Besides that, this paper will interview focus groups of cinema-goers in Klang Valley, specifically 1 Utama Shopping Centre, to obtain deep insight from respondents regarding cinema-going in the contemporary era. Data and results obtained from respondents are expected to help this study ascertain the impact of the One Stop Centre concept on contemporary Malaysian cinema-going culture and how it has made cinema-going more accessible and enjoyable for everyone. This research expects to contribute to the studies of Malaysian cinema, especially cinema-going culture and understanding of the Malaysian audience in the future.

References

Abdul Wahab Hamzah. (2003). Audien: Sikap dan Harapan Audien Filem

Malaysia. In Ramli Mohamed (Ed.), Sinema Dan Penontonan Di Malaysia (pp. 83-100). Penerbit Universiti Sains Malaysia.

Aida, G. & Yusof, H. (2011). Defining Shopping Mall from Malaysia Perspective.

International Journal of Multidisciplinary Thought. 1 (5). 2156-6992.

Aveyard, K. & Moran, A. (2013). Introduction: New perspectives on movie-going, exhibition and reception. In Aveyard, K. & Moran, A. (Eds.), Watching films: New perspectives on movie-going, exhibition and reception (pp. 1-13). Intellect.

Cambridge University Press. 2023. One-stop. In Cambridge Advanced Learner’s Dictionary & Thesaurus. Retrieved November, 29, 2023, from https://dictionary.cambridge.org/dictionary/english/one-stop

Cambridge University Press. 2023. Centre. In Cambridge Advanced Learner’s Dictionary & Thesaurus. Retrieved November, 29, 2023, from https://dictionary.cambridge.org/dictionary/english/centre

Changsong, W. (2019). Cinema Attendance and Cinema-Going Audience in Malaysia. Media Watch. 10 (3). 10.15655/mw/2019/v10i3/49682

Charlton, R. & Butler, P. 1995. Measuring Cinema Audience. In Kent, R. (Ed.), Measuring Media Audiences (pp. 177-195). Routledge.

Hanson, S. (2013). From Out-of-town to the edge and back to the centre: Multiplexes in Britain from the 1990s. Introduction: New perspectives on movie-going, exhibition and reception. In Aveyard, K. & Moran, A. (Eds.), Watching films: New perspectives on movie-going, exhibition and reception (pp. 245-259). Intellect.

Christie, I. (2012). Introduction: In search of audiences. In Christie, I. (Ed.), Audiences: Defining and researching screen entertainment reception (pp. 11-21). Amsterdam University Press. https://hdl.loc.gov/loc.gdc./gdcebookspublic.2019667207

Christie, I. (2012). What Do We Really Know About Film Audiences?. In Christie, I. (ed), Audiences: Defining and Researching Screen Entertainment Reception (pp. 225-234). Amsterdam University Press.

Gita, A. (2022). Cinemagoing in Kuala Lumpur: Memories, Movies and the Multi-ethnic City, 1970-1979. Film History: An International Journal. 34 (1). 10.2979/filmhistory.34.1.03

Gita Viswanath. (2007). The Multiplex: Crowd, Audience and the Genre Film. Economic and Political Weekly, 42(32), 3289–3294. http://www.jstor.org/stable/4419890

Goss, J. (1993). The ”Magic of the Mall”: An Analysis of Form, Function, and Meaning in the Contemporary Retail Built Environment. Annals of the Association of American Geographers. 83 (1). 18-47. 10.1111/j.1467-8306.1993.tb01921.x

Hanson, S. (2013). From Out-of-town to the edge and back to the centre: Multiplexes in Britain from the 1990s. Introduction: New perspectives on movie-going, exhibition and reception. In Aveyard, K & Moran, A. (Eds.), Watching films: New perspectives on movie-going, exhibition and reception (pp. 245-259). Intellect.

Hizral, H. (2015). Cabaran industri filem Melayu, pandangan penggiat industri dan penonton (Doctoral dissertation). http://studentsrepo.um.edu.my/6569/1/HIZRAL_TAZZIF_HISHAM_(AHA050028).pdf

Kit, L. & Chuan, L. (2012). Hollywood Films and Local Films: A Qualitative Study on Malaysian Young Generations’ Preference [Paper presentation]. International Conference on Social Sciences and Humanities 2012, Kuala Lumpur, Malaysia. https://www.academia.edu/6125886/Hollywood_Films_and_Local_Films_A_Quantitative_Study_on_Malaysian_Young_Generations_Preference

Kuhn, A. & Westwell, G. (2012). Multiplex (cineplex). In A Dictionary of Film Studies. Oxford University Press.

Lealand, G. (2013). A Nation of film-goers: Audiences, exhibition and distribution in New Zealand. In Aveyard, K & Moran, A. (Eds.), Watching films: New perspectives on movie-going, exhibition and reception (pp. 141-155). Intellect.

Suhaimi, S. & Noraini, A. (2014). Cinema-Going and Film-Viewing Habits: A Case Study of Film-Viewers in Kuantan [Paper presentation]. 2nd World International Conference on Islamic Thought and Civilisation, Ipoh, Malaysia. https://www.researchgate.net/publication/272158566_Cinema-Going_and_Film-Viewing_Habits_A_Case_Study_of_Film-Viewers_in_Kuantan

Thissen, J. (2012). Beyond the Nickelodeon: Cinemagoing, everyday life and identity politics. In Christie, I. (Ed.), Audiences: Defining and researching screen entertainment reception (pp. 11-21). Amsterdam University Press. https://hdl.loc.gov/loc.gdc/gdcebookspublic.2019667207

Trice, J. N. (2009). Transnational cinema, transcultural capital: Cinema distribution and exhibition in Metro-Manila, Philippines, 2006-2009 (Order No. 3380147). Available from ProQuest Dissertations & Theses Global; Publicly Available Content Database. (304900172).

Van Der Heide, W. (2002). Malaysian Cinema, Asian Film. Amsterdam University Press.

Wan Aida, Y. (2006). Revival of the epic films and Malaysian audience. Jurnal Skrin Malaysia. 3. 189-210. 1823-1020.

Downloads

Published

2024-10-25

How to Cite

Nazri, M. D., & Mohd Redzuan Roy, N. L. (2024). Cinemagoing Culture through The Malaysian Settings of The Cinema One Stop Centre. Journal of Creative Arts, 1(2), 110–126. https://doi.org/10.24191/jca.v1i2.1586