Sacred Tone: The Spiritual and Psychoacoustic Dimensions of the Arabic Maqāmāt

Authors

  • Raja Zulkarnain Raja Yusof Independent Researcher

DOI:

https://doi.org/10.24191/jca.v2i1.5042

Keywords:

Maqamat, Psychoacoustics, Music Therapy, Sacred Music, Microtonality, Ethnomusicology

Abstract

Arabic maqamat (singular: maqam) form the foundational modal system of traditional Arabic music, characterized by intricate microtonal structures and distinct melodic progressions. Historically, maqamat have been deeply intertwined with Islamic spirituality, mystical traditions, and music therapy, functioning as a bridge between the physical and metaphysical realms (Wright, 1995a). This study explores the psychoacoustic, spiritual, and therapeutic dimensions of maqamat, focusing on their role in Islamic ritual, Sufi practices, and contemporary sound healing. By integrating insights from ethnomusicology, music theory, and cognitive science, this research seeks to understand how maqamat induce emotional and transcendental states, examining their healing properties and neurological impact (Farmer, 1931; Feldman, 1990). The study employs a historical and theoretical analysis, supplemented by existing empirical research on music and cognition, to illustrate the enduring sacred and emotional power of maqamat.

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Published

2025-03-30

How to Cite

Raja Yusof, R. Z. (2025). Sacred Tone: The Spiritual and Psychoacoustic Dimensions of the Arabic Maqāmāt. Journal of Creative Arts, 2(1), 88–110. https://doi.org/10.24191/jca.v2i1.5042