Triangulating Craft Knowledge: Surveys, Interviews and Artefact Analysis of Yunnan Folk Pottery

Abstract

Although Yunnan folk pottery has a rich tradition of ethnic culture and skill, its evolution has diverged with modernisation. Some historic crafts, including Jianchuan Black and Jianshui Purple Pottery, have been revitalised via innovation, but others confront market contraction and transmission issues. Balancing handcraft preservation, market adaptation and technological innovation is essential for Yunnan folk pottery's sustainable development. This study uses a qualitative technique, principally case study methodology, with phenomenology and ethnographic methodologies. A multi-dimensional inquiry is conducted using questionnaire surveys, in-depth interviews and artefact analysis. The study examines Shangri-La Black Pottery, Dali Tile Cat, Jianshui Purple Pottery and Baoshan Han Pottery, using 103 survey responses, 12 in-depth Practitioner interviews and over 100 pottery artefacts to evaluate craftsmanship and market adaptability. This study proposes the Triangulation Interaction Model to explore Yunnan folk pottery revitalisation methods. Research shows that practitioners' identities impact creativity and craftsmanship, market demand shapes product forms and technology improvements improve efficiency but also impact traditional craftsmanship transmission. Higher education practitioners and institutions have promoted craft innovation, while changing customer expectations have led to cultural originality and high-end personalisation in ceramics. These findings suggest ways for policy optimisation, market adaptation and digital transformation to sustain Yunnan traditional pottery in modern society and boost its global competitiveness and cultural influence.