ORAL TRADITION IN CHILDREN’S TRADITIONAL GAMES IN LEBAK, BANTEN: FUNCTIONS, VALUES, AND CULTURAL CONTINUITY
DOI:
https://doi.org/10.24191/jca.v3i2.14451Keywords:
traditional games, oral tradition, Sunda Banten, ethnography, functionalism, cultural continuityAbstract
Children’s traditional games in Lebak Regency are still learned through songs, rhymes, movement, and participation, but the conditions that sustain this oral transmission are uneven. This ethnographic study examines how oral elements operate within four games (Oray-orayan, Cingciripit, Prepet Jengkol, and Pacici-cici Putri) and how these practices carry values and local knowledge. Fieldwork was conducted from March to August 2024 in five locations in Lebak, Banten, with 34 participants comprising children, parents, traditional leaders, and teachers or trainers. The material consisted of approximately twenty play-observation sessions, six additional school-break observations, semi-structured interviews, and document analysis. Thematic analysis identified three recurring functions. Oral elements supported learning by embedding attention, vocabulary, rules, and locally situated messages within play; they coordinated social participation by regulating turns, rhythm, and collective movement; and they kept Sundanese words and agrarian references in circulation. The data also show a distinction between performance continuity and semantic continuity: some children could reproduce older lyrics without understanding particular words, while others moved between Sundanese and Indonesian during play. Digital entertainment, reduced play space, and weaker intergenerational transmission affected opportunities for regular participation. Malinowski’s functionalism helps identify what these practices do in social life, but the Lebak material also shows that those functions depend on continued performance and can change when the conditions of play change. The study therefore treats oral tradition as an enacted part of the game rather than as verbal content attached to it. Access in Kanekes (Baduy) was limited, so that material is treated as a limited case study; the findings suggest that regular occasions for play matter more than archiving lyrics alone.
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