Woodcarving in Malay Architecture: Patterns, Structures, and Cultural Significance

Authors

  • Noor Roziana Binti Abdul Rahim Department of Applied Arts and Design, Kulliyyah of Architecture & Environmental Design, International Islamic University Malaysia, Jalan Gombak, 53100, Kuala Lumpur, Malaysia
  • Péter Szabó Institute of Creative Industries, Faculty of Wood Engineering and Creative Industries, University of Sopron, Bajcsy-Zsilinszky u. 4, 9400 Hungary

DOI:

https://doi.org/10.24191/bej.v23i1.5776

Keywords:

Malay Woodcarving, Traditional Malay Architecture, Hindu-Buddhist Influence, Islamic Motifs, Cultural Heritage, Historical Evolution

Abstract

This paper examines the cultural, functional, and spiritual roles of woodcarving in traditional Malay architecture. It investigates how historical, cultural, and spiritual factors shaped the selection of materials, motifs, and carving techniques. Key architectural elements like Tunjuk Langit and Sisik Naga are highlighted for their aesthetic, functional and symbolic contributions. While Malay woodcarving’s symbolic and decorative aspects are well documented, integration into contemporary architectural is less explored. The study adopts a conceptual review approach, synthesising historical, cultural and architectural literature and analysing recurring motifs, techniques and applications through a thematic lens. The paper also discusses the challenge of preserving these traditional elements in modern architecture, offering insights into how they can be adapted while maintaining cultural significance. The findings highlight woodcarving’s enduring relevance, positioning it as a framework for sustainable and culturally rooted architecture.

Author Biographies

  • Noor Roziana Binti Abdul Rahim, Department of Applied Arts and Design, Kulliyyah of Architecture & Environmental Design, International Islamic University Malaysia, Jalan Gombak, 53100, Kuala Lumpur, Malaysia

    Noor Roziana binti Abdul Rahim is a part-time lecturer at the Department of Applied Arts and Design, majoring in Industrial Design, Kuliyyah of Architecture and Environmental Design at the International Islamic University Malaysia (IIUM). She holds a PhD in Wood Science and Technology from the University of Sopron, Hungary, focusing on integrating traditional Malay woodcarving with modern design to enhance natural ventilation using CFD simulations. Her research interests include wood science, sustainable architecture, and cultural heritage applications in building performance. She can be reached at rozianaabdulrahim@gmail.com

  • Péter Szabó, Institute of Creative Industries, Faculty of Wood Engineering and Creative Industries, University of Sopron, Bajcsy-Zsilinszky u. 4, 9400 Hungary

    Szabó Péter is a senior lecturer at the Doctoral School of Wood Science and Technology, University of Sopron, Hungary. He has been working as an academician in wood science and timber engineering, specializing in non-destructive testing, timber mechanics, and sustainable wood construction. His research interests include ultrasonic testing and structural assessment of timber. His contact email is szabo.peter@uni-sopron.hu

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Published

01-01-2026

How to Cite

Woodcarving in Malay Architecture: Patterns, Structures, and Cultural Significance. (2026). Built Environment Journal, 23(1). https://doi.org/10.24191/bej.v23i1.5776

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